Michelangelo Antonioni's "The Passenger"

Visit the filming locations featured in this classic Antonioni film. Find your ideal flights here.

Michelangelo Antonioni's "The Passenger" stands as a mesmerizing testament to the filmmaker's unparalleled mastery of visual storytelling and his unyielding exploration of the human condition. Released in 1975, this enigmatic cinematic gem takes viewers on a contemplative journey, delving into themes of identity, freedom, and existentialism. Set against a backdrop of captivating filming locations, such as Fort Polignac in Algeria, Palau Güell and Las Ramblas in Barcelona, the Church of St Georg in Munich, and the Hotel Costasol in Almería, Antonioni weaves a complex tapestry of emotions and philosophical musings that leave an indelible mark on the soul.

"The Passenger" introduces us to David Locke, a disillusioned television journalist portrayed with an understated brilliance by Jack Nicholson. Burdened by the weight of a mundane existence and a crumbling marriage, Locke embarks on an unexpected journey of self-discovery when he encounters a fellow hotel guest, Robertson, who suddenly dies in his presence. Driven by an impulsive desire for reinvention and escape from his own life, Locke assumes the identity of the deceased man, gradually immersing himself in a labyrinthine web of intrigue and introspection.

Antonioni's deft directorial hand elegantly navigates the intricacies of the plot, blurring the boundaries between reality and fiction. As Locke traverses the vast expanses of the Algerian desert, represented by the imposing Fort Polignac, a profound sense of isolation and introspection pervades the screen. The barren landscapes mirror the protagonist's own emotional desolation, immersing us in his solitary quest for meaning and connection.

Transitioning to Barcelona, Catalonia, Antonioni takes us on a mesmerizing tour through the city's iconic Palau Güell and Las Ramblas. The Palau Güell, with its exquisite architecture and intricate detailing, becomes a symbolic microcosm of Locke's elaborate facade and the façade society constructs for itself. As the camera glides through the bustling crowds of Las Ramblas, capturing snippets of mundane daily life, we are reminded of the ephemeral nature of existence and the transient encounters that shape our paths.

In Munich, within the solemn walls of the Church of St Georg, Antonioni masterfully juxtaposes the serenity of religious devotion with the turmoil festering within Locke's conscience. The silent contemplation in this sacred space serves as a conduit for the introspective themes that permeate the film, inviting viewers to question their own beliefs and confront the existential quandaries that lie within.

The Hotel Costasol in Almería, Andalucia, emerges as a poignant backdrop for Locke's ultimate realization of the futility of his escape. As the walls of his self-imposed exile close in around him, the vastness of the hotel's surroundings underscores the inescapable nature of one's own identity. Here, Antonioni's visual composition serves as a powerful metaphor for the boundaries and limitations we inevitably encounter on our individual journeys.

"The Passenger" is an audacious exploration of the human desire for reinvention and freedom. Through Antonioni's meticulous craftsmanship, the film transcends the boundaries of traditional narrative, inviting viewers to engage in a profound introspection. Jack Nicholson delivers a compelling performance that captures the multifaceted layers of Locke's character, oscillating between despair, yearning, and the tantalizing allure of newfound liberation.

In this timeless masterpiece, Antonioni raises existential questions that resonate long after the credits roll. As we travel alongside David Locke, his quest for personal reinvention forces us to confront our own complacency and the masks we wear to navigate our lives. The juxtaposition of filming locations, from the vast desert to the bustling city streets, reflects the intricate tapestry of the human experience, underscoring the universal longing for freedom and the inevitability of our intrinsic nature.

"The Passenger" is an introspective symphony of visuals and emotions, a testament to Antonioni's unparalleled artistry and his ability to probe the depths of the human soul. It stands as a timeless classic, inviting viewers to embark on a journey of self-discovery and embrace the complexities of their own existence.


LEICA - the master photographer's tool

Photo Sensor SizeFull Frame (35mm)
Max Shutter Speed1/40.000 seconds
Min Shutter Speed120s seconds
Form FactorMirrorless
Effective Still Resolution47.3 MP
Special FeatureLightweight
Optical Zoom1 x

About this item

  • 47.3MP Full-Frame CMOS Sensor and Maestro II Processor
  • Summilux 28mm f/1.7 ASPH. Lens
  • High-resolution 3.68MP (1280 x 960) OLED electronic viewfinder provides a clear and realistic means for eye-level viewing. Its high refresh rate virtually eliminates lag and an updated eye sensor provides faster automatic switching between the EVF and the rear LCD.
  • Rear 3.0" 1.04m-dot LCD features a touchscreen design for intuitive navigation and playback, as well as the ability to touch to focus.
  • Lightweight magnesium alloy body is dust and moisture sealed (IP52-rated) for use in harsh environmental conditions.


Rimowa Original Lufthansa Edition Cabin, Silver 35L

  • Size (W x H x D): 40 x 55 x 23cm
  • Pole length (fully extended): 110cm
  • Weight: 4.3kg
  • Volume: 35L
  • Material: 100% aluminum, lining: 100% Polyjacquard(1756303)

about tour de film


Tour de Film is a location marketing site for tourism about places around the world as they are featured in films, with filming locations highlighted for reference. 

Visitors can search by genre, location, movie title, or actor. 

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about this film

Michael Hennessy, anecdotalist and documentary filmmaker, has witnessed conflict on many levels, from war in Central America to political oppression in Asia. His latest foray into the American architecture of the “Iron Triangle” of military, policy and war business has led him to an inescapable question: what are we all fighting for? Eventually we all want peace, utopia, paradise… yet even in an age of communication, after multiple attempts of learning from the past, we are further away than ever from the perfect society promised by politicians, religious leaders (including cultists who promise the same in an honest departure from the former), advertisements, and even our own imagination. He currently resides in New York City, where he has begun an effort to document this dilemma through the lives of several subjects in Hawaii, where “paradise” is promised, and not necessarily delivered, daily.

Visit the interactive blog with film clips HERE.